Writing a book is an adventure. To begin with it is a toy and amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him out to the public.
Step 2: Content – what are the chapters about? Where will you get the information?
Step 3: Writing – first draft, review, second draft …
Step 4: Internationalisation/Localisation – will the book be translated? Into what languages?
Step 5: Review – what worked? What didn’t? How will the book be maintained?
This is a very distilled version of JoAnn Hackos’ method. It all seems very easy doesn’t it? It’s a fairly logical progression through the steps. Writing in general is often considered an art, a talent (you either have it or you don’t), a skill, and somewhat mysterious and unique to a small portion of the population. In fact, writing is something that many people can do, and a lot of people can do well. Where it gets difficult is the same place as where any task worth doing gets difficult – sticking with it. Writing is not something you can start on Monday, and have a completed book by lunchtime on Thursday. This goes for technical writing as much as any other style, and it’s where the apparent ‘magic’ comes in. Some people have the ability to sit in a small room on their own for weeks at a time, taking and distilling technical minutae by day, and sipping absinthe by night until – like a miracle – they give birth to a brand new shiny technical manual. And some people … well, some people just don’t. Which is not terrifically surprising, on the face of it.
The idea of writing a book is romanticised in our culture. Everyone ‘has a book in them’; we’re all trying to write the ‘great American/Australian/British/$NATIONALITY novel’; one day, I’ll ‘be the next Hemingway/Dickens/Crichton/$AUTHOR’. How many people have started on the path, only to find – days, weeks, months, or years later – that it has been consigned to the desk drawer, and forgotten? This all leads us to believe, however subliminally, that writing a book is hard. It takes a long time, it is terrifically difficult, and only a bare few make it out the other side. It makes us feel better about the unfinished manuscript in the bottom drawer.
Which leads us to realise why so many versions of the writing ‘process’ exists. If you google for it, you will be spoiled for choice in the methods available. It’s a way of breaking down the mammoth task of creating a book into small, manageable, easy-to-chew lumps. Somehow, five (or six, or seven, depending on the method you choose) small steps aren’t half as scary to tackle as one big one: “Write a book”.
When it comes to technical writing, though, the process has more purpose. Technical documents are very rarely produced in isolation. The book could be part of a suite of documents for one product – the Installation Guide, the User Guide, the Reference Guide; it could be a guide for a product that forms part of a complete solution – the front-end tool, the back-end database, and the libraries; it could simply be a book produced by a large technical company that produces a large range of products. Whatever other books or products compliment the work in progress, there needs to be a consistent approach, a ‘look and feel’ that creates a brand around the product. By following a standard process for each and every book written, that brand is more easily created and maintained, even by many authors, all working on individual projects, and in their own unique ways – absinthe or no absinthe.
Cross-posted at Foss Docs